Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

Sunday, 1 December 2013

Fight for your Writes - some writing about writing

I’ve been writing since I was a kid. I mean, I stopped for the toilet and eating and stuff but by and large I’ve always written. My original ambition was to write a novel but because they were intimidatingly long, I opted for short-form stuff like poems and jokes. “I say, I say, I say” is so much easier to finish than, The forest whispered with a menace our hero would come to dread in years to come… Yikes!

This year, fellow writers have recommended several books on creative writing and they have all, in different ways impacted my work massively (none of the books were on grammar or spellchecking before you even think it – typos are my trademark. You should see my tweets). Equally, just getting stuck in and writing on a more fulltime basis has also taught me so much. If you’re a writer, or have been thinking of taking up your quill, this is for you.

Just start
This is something I still find impossible to do (well, nearly otherwise you’d be looking at a blank page). I get into a faffing tailspin and feel like unless I’ve done every tiny, niggling job that needs doing, I cannot, under any circumstances start writing.

This can sometimes, literally take days. So, what I started doing is putting things in time, i.e. making writing an entry in my diary. ‘Monday: Write a synopsis for Killer Caterpillars’*. Adding it to my to-do list really helps. Even if I only do an hour’s work on it, at least it now exists in the real world rather than just as a brilliant idea in my head. *this is going to be epic when it’s finished

Another barrier to starting, for me, was the notion that, in my head my idea was perfect and the process of committing it to the page would somehow fuck it up. Overtime though, I’ve learned to ignore this. After all, better to have a slightly crapper version of my idea exist than a near-perfect one that only lives in my bonce. If you’ve encountered this, my advice is-

Just write something
Sometimes I get stuck, wanting to find the perfect way to express a thought. This can bring the whole writing process to a grinding halt. Suddenly, I find myself power-tweeting, facebooking and instagramming my lunch - the writing but a distant memory. My new tactic however, is to just write something, anything. Just get it down, however inarticulate or clumsily it may read because I know at some point, I’ll come back and finesse. This means there’s no longer any need for writer’s block because one can just write any old crap and come back and edit it later. And when you do return with fresh eyes, you’re much better equipped to see what needs changing because you’ll be looking at each problem in isolation rather than the whole, unwieldy mass.

Also, when you first start, some of the first stuff you create will be rubbish. No doubt about it. It can’t all be Hemmingway and Shakespeare. Write it anyway. Sometimes we have to bleed off some creative noise before we get to the good stuff. Like, when we first begin, the chaff comes out but if we push through that, we come to the wheat and of course once you’re done, you can always go back and-

Edit
Always edit your work.  Reread and reread and then when it’s the best it can possibly be, reread it again! Then send it out to every publisher, literary agent, production company and anyone who will read it, right? Wrong. No, no, no – never, never, never. When you first complete something, you will believe, as I always do, that it is the greatest piece of literature since an ad exec wrote on a scrap of paper, Beanz, Meanz, Heinz.  Stop. It may well be brilliant but you are too close to it to tell. You don’t have the objectivity so, just to be on the safe side, set your precious baby aside for as long as you can bear (a minimum of two weeks). When you return to it, you will have what is known as ‘fresh eyes’, industry speak for, the objectivity to see if something’s shit.  Now you’ll be able to edit again and be way more ruthless than you would when you first finished. You’ll reread it and say, “I finished act one by turning the hero into a flying tiger? What was I thinking?” Or hopefully, “Thank God I did that flying tiger thing. It totally works!” The important thing is to-

Trust
Trust that you are able to create great work. If you don’t believe in you, how can you expect others? (Word wanted me to put a question mark there but it’s not a question). Your work is good. Trusting in what you produce will give you the passion and drive to complete your projects. Then, if you’re good at what you do, become great. If you’re already great, become exceptional. Do this by continuing to-

Learn
I’ve learned so much this year from seminars, books, other writers, online videos and of course, hands-on experience and the more I’ve learned the more I can see there is so much more to learn. At the moment, much of what I’ve picked up is not second nature so I’m still referring back to the books I’ve read. I go back to Save The Cat’s 15 story beats, or Robert Ben Garant and Thomas Lennon’s book about the business of screenwriting. I google to make sure I’m format my materials correctly.

As Malcolm Gladwell says, 10,000 hours may be exactly what’s required to reach the top of your game and have excellence be second nature.  

Staying open to learning means you’ll continue to grow as an artist and a great way to get a sense of this is  by going back to your early writing, you know, that stuff you thought was the most incredible piece of literature in existence. Hopefully, (and most likely), you’ll look at  it and go, “Oh my God, it’s crap. I can’t believe I showed that to ANYONE”. Great!  It means you’ve improved and you can see the flaws in your earlier efforts.

Discipline
This is really for people who want to make writing their profession but still applied to a certain degree to hobbyists.  I recently attended the class of a very established acting coach and she spoke of working with a very young actor called Brad Pitt. All her students are required to pair up to prepare scenes for her classes and Pitt, she recalled, was a pain in the arse (my words) for his scene study partner because he wanted to rehearse ALL THE TIME.

From what I can gather, this Pitt guy is married now with a tonne of kids and doesn’t really act that much but her point was, practice, hard work and application are the key to success. Talent is a surprisingly small piece of the pie.

I’ve keep a list of the project I’m working on and set deadlines for each part of their processes. Many of the deadlines are arbitrary, based solely on my desire to get the damn thing finished but nonetheless, it drives me to sit down every day and say to myself, OK, my deadline for the first ten pages of Killer Caterpillars is Monday. RE-ordering my sock drawer will have to wait. Just make sure you-

Finish
Even if you decide it’s a dead duck, complete with it before moving on – whatever that may look like. What I mean is, consciously stop working on it, don’t just abandon it. And most importantly -

Have fun
I love writing, on my own but especially with others. A year ago, I sat down with a team of writers to work up some jokes for a TV project. Just us, a white board and our brains. It was the most fun I’ve had with a marker pen (that I can talk about) in a long while. We laughed all afternoon and it really didn’t feel like work. Being creative is a human need and not enough people give themselves permission to find their joy in creative expression. This is why the arts should always be funded by the government by the way, not because it keeps people employed or it’s nice but because it keeps us civilised and elevates our thoughts beyond that of mere survival. This is true both personally and societally. We need creativity and artistry around and within us.
Which takes me back to my original point. If you are looking for a creative outlet-


Just start

Sunday, 27 October 2013

More Notes from LA

So, I'm writing this from the perspective of those planning a long terms stay as I don't think LA is a great holiday destination. After a few days you'll be bored BUT California is a beautiful place and if you combine it with a visit to some other amazing destinations not too far away (Vegas, San Diego, Mexico even!) then it becomes a more viable place to visit.

If you've never been to LA or only visited the east coast of America, you will be in for a culture shock. For example, New York is a busy cosmopolitan city with a rich cultural life. In one week I saw Bobby McFerrin and Paul Simon perform live at the Lincoln Center, I caught Chris Rock, Louis CK and Robin Williams at the Comedy Cellar, saw an awesome gospel choir at the Abyssinian Baptist church in Harlem and ate at a world famous soul food kitchen. 

LA is a bit of a mono-cultured by comparison. The immigrant communities have carved out their own pockets within the city but those areas don't feel as accessible in the way, for example, New York's China Town or Little Italy do. 

The one thing that struck me after just a few days in LA was the disproportionately high number of Hispanic people in poorly paid employment. Valet attendants, cleaners, gardeners, delivery guys - all Hispanic. To me, this seems to have created an implicit social agreement that in someway, these people are lesser. Of course people of Latin American extraction are also present in all areas of life but the overwhelming numbers in these blue collar jobs was a shock.

These people are essentially keeping this city running but far from being grateful, sometimes people treat them like second class citizens, or worse like invisible machines. 

Thank God there are Brits here. Our desperation to be nice and polite to everyone means these men and women get treated well at least some of the time. I don't think it's that Angelenos willfully treat them badly, I guess it's been the status quo for so long, they no longer see it. 

I've finally moved into my apartment and having been all over looking at accommodation. Unlike the UK, you don't really see any terraced housing here. There are bungalows and semi-detatched homes where each one is completely different from any others on the street. Presumably this hails back to when LA was first developed and people bought a plot of land and got an architect, or a mate with some crayons and a ruler, to design them a pretty house. 

You get small low rise apartment blocks of anything from 2 - 100 (ish) units, then you get actual tower blocks, then you get the detached homes which go up in size until you reach the LA mansion up in the hills type beasts.

Last year I found myself in the home of a mid-table agent. She lived in a gated community with perfectly manicured lawns. The swimming pool at the back of her home looked out over West Hollywood and beyond. She had a screening room and a majestic, sweeping staircase... And she was mid-table. It's true what those prospectors used to say, there's gold in them there hills.

LA has the biggest diversity of building styles. Higeldy pigeldy should be an American word based on the architecture of this city but, having said all that, some how it works. 

The main places 'industry' people tend to gravitate to are West Hollywood - where also, most of the tourist hotspots are, Studio City - where, guess what, most of the studios are such as Warner Brothers, Buena Vista and Universal, Culver City where the agents are and Santa Monica - where the Brits are (no surprise, the coast comes closer to having seasons, is generally cooler - temperature-wise,  and feels more like a city with a centre)

I'm in the eastern edge of West Hollywood which is not hip at all but West Hollywood is where you'd hope, well possibly even expect to see the odd celebrity doing their grocery shopping in Wholefoods Market or stagger out of Chateau Marmot (posh celeby hotel, restaurant and bar).

I reckon LA is probably a cool city to hang out for a few years but I wouldn't live so centrally indefinitely. Like I say, I'd rather head for the hills or drop down to the coast. Let's see which one it turns out to be.